The musician refers to it as my studio room. Within this space, he embraces a faith in something better, despite the. It reflects the record's motif of travelling the synapse between home and dreams, a fractured world and one idyllic in said dreams. Its music video was just as iconic - the young, flamed-haired Teddy Boy sing-speaking directly to camera, his eyes flickering with love, vengeance and self-loathing.īelow, we unpick King Krule’s style evolution - from inner-city teen beatnik to cultish phenomenon. One room in Marshall’s mother’s house that served as an integral space for making songs on Space Heavy. 'Seaforth' is the most moving moment off Space Heavy, and maybe even of Marshall's entire body of work. Emerging under the Zoo Kid moniker at the turn of the decade, debut single “ Out Getting Ribs” was an instant classic, Marshall’s swaggering pub rock vocals dovetailing clanging guitar tones. More than just a product of his influences, though, Marshall holds a seismic sway over youth culture and style. From the slacks and shirts of south London’s art and skate scenes, through elegant tailoring and functional, military-esque fashion, Marshall’s dress sense is impacted by the city and far, far beyond. Much as new album The OOZ flirts with a wild range of styles and genres, his personal style has evolved effortlessly. It used to be a bathroom, he explains, with. Today we explore the world of King Krule - from his influence on youth style and uniquely eclectic sound to his mythical south London.Īs fluid and ever-changing as his music, Archy Marshall has never been one to settle for a simplistic wardrobe. One room in Marshall’s mother’s house that served as an integral space for making songs on Space Heavy. On his fourth album as King Krule, Archy Marshall reckons with love and newfound fatherhood, but he still sounds beset by existential doubt.
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